Just uploaded a new video update to YouTube. You can find it HERE
With the book in hand and shipping (thanks to everyone who ordered the book!) it's time to turn my attention back to the layout, and to this blog!
You ever get completely overwhelmed by the number of projects you want to complete? My typical reaction when that happens is to start a bunch of stuff that I'll work on for a bit, then put away. OR I just get some sort of overload and can't start or finish ANYTHING! The latter is what happed to me about three weeks ago. I went downstairs, turned on the layout room lights, looked around, and promptly turned them back off! There seemed like there was so much to do I couldn't come up with a single project to focus on.
Of course, thinking about this logically I'd remember that no matter how many projects I might want to do, I can only do one thing at a time!
There are too many empty lots in what is supposed be Enosburg Falls - and ideally, I'd like to get the rest of the structures for the town completed in time for the Mid Atlantic RPM meet this fall. I don't know if we'll have an open house this year as part of MARPM, but getting the town looking "done" by mid to late fall seems a reasonable goal.
Between the CV freight house and the front edge of the layout is a large open area - approximately 7"x18" defined by Archambault Street and Railroad Ave. This is across the street from the implement dealer that I built five or six years ago. I did a nine or ten part series of posts on that build - you can find part 1 HERE.As I was flipping through the History of Enosburg Falls book I came across this photo of a hardware dealer that, according to the descripition in the caption,
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| Test fitting walls and windows. Nothing is glued up or square at this point! |
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| Experimenting with different finishes on piece of scrap shingles. |
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| Shot of the left front facade shows the two different types of siding. |
I don't know for certain, but it looks as if this was two older buildings - perhaps a house and a barn? - connected with a "modern" addition connecting them together. Note this is the only picture I have found of this building, so I would have to imagineer the rear and side walls!
The first step was to figure out how to build this thing. My go-to and much preferred material is styrene, but in this case the entire street facing upper floor of the building is shingled. Note these are not shakes - these shingles have flush cut ends with varying widths. I've built a number of BEST Trains laser structure kits and several of them use laser etched wood sheets with the shingle pattern embossed in the wood. Thinking that would be easier than applying individual layers of shingles, I ordered a sheet of the stuff. For the first floor of the street side of the building I opted to use .090" vertical scribed boards.
I dug through my rather extensive collection of Tichy and Grandt Line door and window castings and came up with close enough matches to what showed in the protoype photo. I did have to shorten the middle section somewhat - meaning I don't have quite as many big shop windows as the prototype - but I doubt anyone will ever realize that unless I tell them!
I will say it's been a long time since I cut window openings out of wood stock - and it's not something I enjoy. At this point I have front walls cut out - and my original plan was to use wood for the entire building, especially for the side wall that looks fairly weathered and worn from the little bit of it that shows in the right edge of the photo. But I'm toying with making the remainder of the building out of styrene.
I wasn't planning to go to the Timonium MD show since I didn't think we'd have any books - but since the show was on the 11th and the books were there on the 10th I grabbed a stack of books and headed up the Maryland State Fairgrounds.
Show attendance seemed a little light, and not many people were buying - perhaps it had something to do with the sunny, beautiful weather. No one really wanted to spend all day at a train show and I think it showed in the sales overall.
The one good thing that came out of the trip up there was we managed to get Artisan Rail Media into the Craftsman Courtyard area of the National Train Show in Chattanooga this coming July.
In the meantime we've been shipping books, and decals, all week. We've gotten almost completely caught up with the book orders, except for a half dozen or so (we ran out of envelopes and mailing labels! More are on the way, and based on what the post office tells me, most people who ordered between February and late last week should receive their copy of the book sometime next week. I'm excited, and terrified, to hear what people think!
We also have posted some Southern New England and Central Vermont decals. I'm not surprised the CV decals are selling well, many people have a stash of those resin CV boxcars awaiting decals - but I'm surprised at the reception the SNE decals have received. I have several more CV and SNE sets that I'll be posting this weekend.
You can find all of these on the web site - HERE
or https://www.artisanrailmedia.com/
Thanks again for your interest and support - and please order a book!
Wow, I see that I haven't posted anything here since November! Yikes! Well, hope anyone reading this had a wonderful Holiday season - and Happy New Year, albeit a couple of months late!

Our new website - Artisan Rail Media - where you can order our new book!
I have been posting - occasionally - to my Southern New England Railway Facebook group. And you're more than welcome to join the fun there. But I have an excuse for not posting things here -
When I really get into a project I tend to dive into it, and things like Facebook and blog post updates don't take priority. In other words, I usually float from one project to another - but when I focs - I get really focused.
For the last few months I've gotten very serious about finishing my Modeling Autumn Scenery book. I've talked about doing this book for a number of years - and have been thinking about it even longer than that!

This is one of two possible cover photos for the book.
I'm pleased to say that it is almost done - - to the point that it should be shipped off to the printer sometime in the next two weeks and be ready to ship shortly after that. I'm trying something new - self publishing this book. I considered doing a print on demand option but have been disappointed with the color and printing quality of that approach.

One of the page layouts for the book.
A scenery book - especially an autumn scenery book - where color is everything - needs to have the best looking photos possible. So, Christine and I are taking a risk and having the book printed by a print shop here in the US that specializes in short print runs. The test proofs looked great, so we're very excited about getting the book in our hands, and hopefully a LOT of yours! If nothing else we don't want to end up with a garage full of these things!
What's in the book? Essentially it's everything I've learned that I can remember about modeling autumn scenery. Here's the list of chapters:
Chapter 1: Fall Colors
Chapter 2: Scene Composition and Planning
Chapter 3: Backdrops
Chapter 4: Landforms
Chapter 5: Vegetation and Ground Cover
Chapter 6: Background Trees
Chapter 7: Foreground Deciduous Trees
Chapter 8: Conifers
Chapter 9: The Colors of Autumn
Chapter 10: Autumn Details
Full color. (I've lost count of how many photos).
Approx. 100 pages.
And best of all I've been able to include some photos from other models who depict the fall on their layouts. These give some much needed variety to the book, and show how others model other parts of the fall - from early mostly green season, through the peak colors of fall, all the way to the "dead" season. I'm immensely grateful for these friends who have been so willing to contribute to the book!
Actually, even if you model the height of summer you should be able to find some useful information in this book - just use a lot more green than I do!
How can you get a copy? Well, we've set up a little business to sell these things (and some other products, more on that in a moment). You can get the book at the special prepublication price of $24.95 + shipping at our new web site - Artisan Rail Media.
What about those other products? Well, for starters we have Central Vermont boxcar decals, as well as SNE "modern image" decals that we'll list for sale. But first the book must be done!
Here's the SNE "New Image" (post 1962) paint scheme as applied to first generation hood units.
This is two of several sets of locotive lettering we've developed. And when I say "we" I mean it! This started a number of years ago with Mike Confalone's suggestion on how to arrange the "S" "N" and "E" in a link like the CN and CV lettering.
(In short, don't try too hard - since it's almost impossible - and use the DWP approach to the same problem!)
Bernard Kempinski and I did some initial back and forth on it - and then I asked Otto Vondrak for his help - back before he was famous and all .... (I told you this project has been going on for years!).
The basic design is Otto's - although Bill Brilinger at PDC put the finishing touches and tweaked the logo a bit. Bill's also designed boxcar and covered hopper lettering in several different styles.
We also did some lettering for "modern" freight cars (at least more modern than my layout's era!). Here's the covered hopper version. Note the green lettering below is shown on a gray car - but the cars were delivered in yellow with green lettering.
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| CV 4007, East New London, Conn. (Bob's Photos). |
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| CV 4013, one of the home built "long" cabooses, shows off her original lettering scheme. |
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| By 1939 the Central Vermont was still Railroad Roman but had gotten smaller and moved to the lower portion of the side. Some cabooses, like this one, got the flashy "Rocket" lettering. |
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| CV 4006 shows off her then-new paint scheme of Red underframe and orange body. (Also note how dirty these cabooses got in service!) |
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| CV 4019 at Essex Junction shows how the cars weathered, but you can see tell the underframe and trucks were painted a different color than the car body. |