A few months ago I found a neat UVM web site that featured vintage images of Vermont - including some aerial views of Essex Junction and even a close up a industry at Waterbury. While these images were extremely helpful, the White River Junction selection was pretty slim pickings. In fact all that came up in a search of "White River Junction" was a bunch of photos showing the interstate highway being built through the Green Mountains in the late 1950s. While somewhat interesting, it hardly was useful for my layout research.
That was a few months ago, and the internet is always changing. I've had some time during my lunch to wander around the internet over the last couple of days. Just for fun I went to the UVM site and entered "White River Junction" in the search window, fully expecting to find those same photos of interstate highway construction. Wow, those folks at UVM have been busy. There are dozens of photos of White River Junction - including this one dating from 1953 that at long last shows exactly how the turnouts between the station and the CV yard were arranged. If you go to the link you'll be able to use the "Zoomify" function to get some real close up views.
Thursday, September 20, 2012
Wednesday, September 19, 2012
Peninsula Track Plan
I get a lot of ribbing from my fellow modelers for my relative lack of written track plans. I do draw plans, I just don't often show them since I'm a terrible artist and the plans I draw wouldn't make much sense to anyone but me.
So here is a special treat - the sketch plan I drew (the last of several) before starting the ongoing rework on the peninsula.
Key elements include
(1) The Waterbury station scene (which includes the Waterbury station, a feed mill, the CV freighthouse and a coal dealer)
(2) a mill stream scene - this will be visually isolated from Waterbury proper by a low hill and trees. The mill stream will disappear behind the trees and dead end in the woods. Along the mill stream will be one, perhaps two, old non-rail served mills. These are strictly for atmosphere - not traffic generation.
Working our way around the peninsula we encounter a simple grade crossing that features a small country store - and not much else.
Finally, we end up at the river crossing scene with the large truss bridge that will end up "buried" in the tree-covered hillsides.
Still to come is a way to transition from the hilly bridge river crossing scene to the relatively flat Essex Junction scene.
So here is a special treat - the sketch plan I drew (the last of several) before starting the ongoing rework on the peninsula.
Key elements include
(1) The Waterbury station scene (which includes the Waterbury station, a feed mill, the CV freighthouse and a coal dealer)
(2) a mill stream scene - this will be visually isolated from Waterbury proper by a low hill and trees. The mill stream will disappear behind the trees and dead end in the woods. Along the mill stream will be one, perhaps two, old non-rail served mills. These are strictly for atmosphere - not traffic generation.
Working our way around the peninsula we encounter a simple grade crossing that features a small country store - and not much else.
Finally, we end up at the river crossing scene with the large truss bridge that will end up "buried" in the tree-covered hillsides.
Still to come is a way to transition from the hilly bridge river crossing scene to the relatively flat Essex Junction scene.
Sunday, August 19, 2012
August 19, 2012 Work Session Report
Good work session on the railroad this afternoon meant an early start to the new "model railroad season." I'm hoping to get the railroad somewhat operational in the next couple of months - thanks to the good friends who are willing to help it just may happen.
Paul Dolkos and John Paganoni were the first to arrive - after discussing the lighting situation over the main peninsula (long story short - a better lighting solution is now a top priority) Paul got work ballasting the track in Waterbury. This track is in place and "finished" - which means it's been tested so I feel confident it's ready for ballast.
Stic Harris arrived next. After the obligatory tour of the railroad, Stic got to work gluing down some ties for the last two turnouts in Essex Junction - while waiting for the ties to dry he cut up some pulpwood piles for the woodyard to be located on the end of the peninsula.
John got busy filing up some switch frogs and points, and also got some measurements for the White River yardmasters desk - he'll build that at his house in his wood shop.
Ben Hom opened up the rip track and managed to give all the cars currently on the railroad the once over - checking car weights, coupler height and operation, wheelsets, etc . . . He really plowed through the car fleet - we'll have to have him over again . . .
Bernie arrived later than the others and showed my son Matt how to assemble the Alkem C&O Signal Bridge kit (Matt is doing some contract assembly work for Bernie) and then made some repairs and touch up painting to the WRJ coaling tower. That's great, since I need to get it installed on the layout!
Finally, I took the opportunity to review the plan for the industries in Everett (named after a college classmate who was upset when he learned I named the river crossing after another classmate . . .) Looks like we'll be adding a coal dealer and a team track to the scene in Everett.
Thanks to all for the help!
Paul Dolkos and John Paganoni were the first to arrive - after discussing the lighting situation over the main peninsula (long story short - a better lighting solution is now a top priority) Paul got work ballasting the track in Waterbury. This track is in place and "finished" - which means it's been tested so I feel confident it's ready for ballast.
Stic Harris arrived next. After the obligatory tour of the railroad, Stic got to work gluing down some ties for the last two turnouts in Essex Junction - while waiting for the ties to dry he cut up some pulpwood piles for the woodyard to be located on the end of the peninsula.
John got busy filing up some switch frogs and points, and also got some measurements for the White River yardmasters desk - he'll build that at his house in his wood shop.
Ben Hom opened up the rip track and managed to give all the cars currently on the railroad the once over - checking car weights, coupler height and operation, wheelsets, etc . . . He really plowed through the car fleet - we'll have to have him over again . . .
Bernie arrived later than the others and showed my son Matt how to assemble the Alkem C&O Signal Bridge kit (Matt is doing some contract assembly work for Bernie) and then made some repairs and touch up painting to the WRJ coaling tower. That's great, since I need to get it installed on the layout!
Finally, I took the opportunity to review the plan for the industries in Everett (named after a college classmate who was upset when he learned I named the river crossing after another classmate . . .) Looks like we'll be adding a coal dealer and a team track to the scene in Everett.
All in a great day.
Thanks to all for the help!
Thursday, July 19, 2012
Major Milestone - 30,000 page views!
As of this evening, the blog has exceeded 30,000 page views. Thanks to all who take a few minutes to look over this blog. I hope you find something of use here, and I appreciate all the links to the blog, feedback from readers and emails!
Tuesday, July 17, 2012
Essex Junction Trackwork - Update
Rather than overcomplicating things, I decided to go with a very simple homemade spring to hold the points on my hand laid turnouts. As you can see from the photos, the spring is a piece of .028" brass wire bent to a 90-degree angle with two "legs" bent downward. These legs are inserted in holes drilled in the throw bar and an adjoining tie.
Once the turnout is finished, painted, weathered, and ballasted, I think it will be virtually invisible. If I want to take a realistic photo of the scene at some point it's a simple matter to remove the spring and replace it once the pictures have been taken.
Thanks to all who commented with suggestions - the "spring" you see here is actually the result of some experimentation over the last couple of nights. I'm pleased with how well it works. Sometimes the simplest solutions are the best.
Once the turnout is finished, painted, weathered, and ballasted, I think it will be virtually invisible. If I want to take a realistic photo of the scene at some point it's a simple matter to remove the spring and replace it once the pictures have been taken.
Thanks to all who commented with suggestions - the "spring" you see here is actually the result of some experimentation over the last couple of nights. I'm pleased with how well it works. Sometimes the simplest solutions are the best.
Possible shelf model?
I have a couple of HO scale models on display in my office. And my-coworkers and our clients who regularly visit our offices always comment on them - usually there's a story about someone or another (or them) who had a Lionel train. But I've uncovered one or two "real" model railroaders in the process.
But let's face it, even the nicest HO scale model sitting on a shelf lacks, well, "presence."
I'm thinking maybe an O scale model would be a better choice.
I found that Mullet Scale Model Works makes an O scale Central Vermont three-window caboose. One neat thing about their models is the way the steel components on the prototype are modeled in brass, and the wood parts are laser cut wood. A neat approach.
I may have to build me one of these.
But let's face it, even the nicest HO scale model sitting on a shelf lacks, well, "presence."
I'm thinking maybe an O scale model would be a better choice.
I found that Mullet Scale Model Works makes an O scale Central Vermont three-window caboose. One neat thing about their models is the way the steel components on the prototype are modeled in brass, and the wood parts are laser cut wood. A neat approach.
I may have to build me one of these.
Thursday, July 5, 2012
Layout Work Sessions - Beneficial or Too much like, well, work?
I've had several local modelers volunteer to come over and help with various aspects of the layout. Several have indicated they would be willing to stop by and help next time I have a "work session."
While I appreciate the gesture, and have certainly accepted help on the railroad from time to time from friends, I've been a little hesitant to declare "Every other Tuesday night" or whatever is a work session and invite a half dozen people over to work on the railroad. I seem to do okay with one or two folks at a time. I also do okay when it's a group project - something like building benchwork comes to mind. Or it's something where I know the results will meet my vision (Bernie's backdrop painting, like that shown HERE, jumps to mind.)
My main hesitation stems from the fact that the few times I've had more than one person over to work on the layout I get really stressed out looking for tools, materials, and the like, answering the "is this what you wanted?" type questions, and all the rest. Frankly, it brings the hobby dangerously close to the kind of stuff I deal with all day at the office. And that doesn't sound like fun.
But the whole process is fraught with peril of another sort. Someone might be the nicest guy in the world, but he's all thumbs when it comes to modeling - or certain aspects of modeling. Such things can easily lead to hurt feelings - "Gee, Bill, thanks for taking the time to make all those trees last work session. They looked like garbage . . . which is where you'll find them if you want them . . ."
Hardly seems friendly.
But I do know some modelers who manage to host what amounts to a private club in their homes - and they seem to get a fair amount accomplished. I'm not sure, but my guess is they know to play to each person's strength - and in some cases may find that honesty, even brutal honesty, is the best policy. And there's a clear understanding that "This is my layout, and if something doesn't meet my expectations I reserve the right to change it."
Another key would be to have the "work assignments" in mind before everyone shows up at the door - and tell them what they will be working on and ask they bring their own tools. That would cut down a little on the need to spend an entire evening or afternoon rushing around the basement looking for all the tools and materials needed.
Any thoughts for people who host, or attend work sessions? No need to mention specific names.
My main hesitation stems from the fact that the few times I've had more than one person over to work on the layout I get really stressed out looking for tools, materials, and the like, answering the "is this what you wanted?" type questions, and all the rest. Frankly, it brings the hobby dangerously close to the kind of stuff I deal with all day at the office. And that doesn't sound like fun.
But the whole process is fraught with peril of another sort. Someone might be the nicest guy in the world, but he's all thumbs when it comes to modeling - or certain aspects of modeling. Such things can easily lead to hurt feelings - "Gee, Bill, thanks for taking the time to make all those trees last work session. They looked like garbage . . . which is where you'll find them if you want them . . ."
Hardly seems friendly.
But I do know some modelers who manage to host what amounts to a private club in their homes - and they seem to get a fair amount accomplished. I'm not sure, but my guess is they know to play to each person's strength - and in some cases may find that honesty, even brutal honesty, is the best policy. And there's a clear understanding that "This is my layout, and if something doesn't meet my expectations I reserve the right to change it."
Another key would be to have the "work assignments" in mind before everyone shows up at the door - and tell them what they will be working on and ask they bring their own tools. That would cut down a little on the need to spend an entire evening or afternoon rushing around the basement looking for all the tools and materials needed.
Any thoughts for people who host, or attend work sessions? No need to mention specific names.
Subscribe to:
Posts (Atom)

