"Mosby's Prize," Bradley Schmehl |
From time to time my wife and I collect pieces of railroad-related art. Over the years we’ve been privileged to obtain some original works and some high-quality prints depicting various railroad-related subjects. On Saturday evening we attended a small art show at nearby Fairfax Station where Christine surprised me with a wonderful original plein air work titled “Winter Tracks” by Nick Aman. (Those familiar with railroads in this area might be able to tell this is a scene from Clifton.)
Winter Tracks, Nick Aman |
Yesterday we attended a Memorial Day parade and wreath-laying
ceremony in Warrenton. After the ceremony we wandered into Black Horse Gallery, which specializes in military-related artwork. We both liked Bradley Schmehl’s oil
painting titled “Mosby’s Prize” enough to spring for a Giclee print.
It’s hard to live in northern Virginia and not learn about
John S Mosby, the famed Confederate "Gray Ghost” and his 43rd
Virginia Battalion who spent the last two years of the Civil War raiding Union
supply lines.
As you might expect, to the North he was a nothing short of a pirate,
(although even the damnation of his actions in this 1863 edition
of Harper’s Weekly read like grudging admiration). To most Southern civilians, and in Southern newspaper editorials, he was something of a
Robin Hood. Many Confederate officers felt his men would better serve their cause in front line
units and not behind the lines raiding and pillaging.
Regardless of what side he fought for Mosby remains one of the most unique personas
from a period in American history chock-full of interesting characters. Civil
War historians are familiar with his exploits during the war, including the action
at Catlett’s Station depicted in this painting. Mosby was wounded at least
three times, one of them so serious that a Union surgeon examined him and
pronounced the wound mortal. Later in
life, he vehemently defended the controversial actions of Jeb Stuart at
Gettysburg. He was also somewhat unique
among the Confederate officer corps in his opposition to slavery (he,
and most of his troopers, weren't slave owners).
As interesting as his wartime exploits were, Mosbys’ history
after the war makes fascinating reading. After the war Mosby was a wanted man,
with a $5,000 bounty on his head. He
eluded capture in the area of Lynchburg, Virginia, until the end of June 1865,
when Ulysses S. Grant intervened and paroled him. After
the war, Mosby became an active Republican, saying it was the best way to help
the South.
In his autobiography Grant
stated, "Since the close of the war, I have come to know Colonel Mosby
personally and somewhat intimately. He is a different man entirely from what I
supposed. He is able and thoroughly honest and truthful."
Mosby's friendship with Grant, and his work with those whom
many Southerners considered the enemy, made Mosby a highly controversial figure
in Virginia. Grant appointed him as U.S. consul to Hong Kong
(1878–1885). Mosby then served as a lawyer in San Francisco, California with
the Southern Pacific Railroad. Later he worked for the Department of the
Interior, first enforcing federal fencing laws in Omaha. Mosby was friends with
the family of George S. Patton. He visited the Patton Ranch and recreated
Civil War battles with George, with Mosby playing himself and George playing
General Lee.
Mosby died in 1916 at the age of 83. He is buried in the very
ceremony where we attended the wreath-laying in Warrenton.
Here's the artists description of the scene depicted in the painting:
Late in May 1863, Mosby and his men made their way to
Catlett's Station, Virginia, on the Orange & Alexandria Railroad; working
from the cover of a stand of trees, they displaced a rail and waited. It was
not long before a train bearing supplies for General Joseph Hooker's army, camped
north of the Rappahannock, came rumbling by; suddenly the train lurched and, in
a cacophony of screaming metal, ground to a halt. Down the tracks, Mosby's
gunners wheeled out a little mountain howitzer ‐ which the Confederates had
captured at the battle of Ball's Bluff ‐ and began firing, causing a huge hiss
of steam as one of its cannon balls crashed through the locomotive's boiler.
Then Mosby's partisans came swarming out of a copse of trees, gathered up as
much of the train's cargo as they could carry and galloped away.
In hot pursuit came blue‐coated soldiers from three Union
cavalry regiments.* The chase halted when the 40 or so guerrillas faced the
howitzer about and let go with a charge of grapeshot. After a brief, whirling,
hand‐to‐hand fight, Mosby signaled with a blast from a whistle he carried for
the purpose, and in the best partisan style, his men scattered in all directions ‐ to reassemble
and share their prizes later. They were forced to leave behind their howitzer,
but they had looted a train that contained, among other supplies, a quantity of
shad, a delicacy the Virginians found very much to their taste.”
3 comments:
Why don't you paint up some rebel cavalry and we can pose this scene on my RR? I have a set of 1/32nd Rebel cav that I bought a few years ago but never painted. I think one of the figures is Stuart. With a little forced persepctive or green screen they could work.
That would be a fun project! the forced perspective would be interesting to try, as would the green screen. The last cavalry I painted was some Prussian heavy horse - some Rebel irregulars would be a considerably different experience.
you don't have a 1/32 small horse drawn howitzer, do you?
And I suppose we couldn't actually shoot a hole in the "Whiton"???!
CVSNEMay 28, 2014 at 2:09 PM
One of the most unique little tidbits I turned up on Mosby when researching this post was the blurb about how he knew Patton when he was a child. .
I suppose it should come as no surprise that, even as a kid, Patton chose to play the role of the army commander. Wonder if he dressed down Colonel Mosby? I bet he did....
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